Kate finds a new sense of depth and maturity
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By Mike Wiethorn
Kate Voegele has always been a bit of a mystery to me. It is hard to tell if she is more interested in music, acting or fashion. Then again, she is a young woman, who is exploring the many chapters in her life where she displays considerable talent. That's a good thing to do when you're young, but her music has seemed a bit disjointed over the years. Was she a folkie, an "Indie Girl", or a musician with no sense of direction to speak of?
Well, I am happy to say that "Canyonlands" reveals Kate to be in excellent voice, with an unapologetically mainstream and radio-friendly effort. Put the album on shuffle, and you will not find any "B-sides" or songs that are afterthoughts. "Don't Count Me Out" is a jolt of hope that marches forward to a strong backbeat, accented by bluegrass strings. The message of positivity is undeniable in "Sun Will Rise", and is reminiscent of her powerful "Lift Me Up".
"Crooked Road" is one of those songs that is perfect for a day in the country, far away from the city. There is even a bit of steel pedal thrown in for good measure, straight out of Nashville.
I'll have to admit that "World Stops Spinning" made me smile, because of the strong similarity to Vanessa Carlton and her song "White Houses". Still, if you are going to pay homage to someone, Carlton is a good choice.
"Catch Me On Fire" is a spunky, runaway train of passion. On the other hand, "Middle Of The Night Mind" is about those moments when you lie awake in bed, wondering about what was and what will be. Same goes for the reflective "Ventura Highway" (which is not a cover of the America classic).
"Canyonlands" is Voegele's strongest album to date, with a definitive focus and style that showcases her considerable growth as a musician. She remains a force to watch in the music industry.
