So good it doesn't even matter if you're the target audience
5
By Mike Valmike
Much of the timeless artwork of the dark ages and the Renaissance was religious iconography. Meanwhile, rock music (and progressive rock specifically) was originally, and for most of its existence has been, insistently secular. Well, now history has come full circle: I am not a religious person at all, yet I find Neal Morse's music and this album in particular to be absolutely phenomenal. The scope, the beauty, the intensity, and the emotion stay with you, and the composition is well above and beyond even prog rock's high-bar threshold. Powerful, resonant melodies and passages stay with you, and this album becomes almost like a dear friend you wouldn't want to have lived without.
The title track Lifeline is suitably breathtaking, with a vitality that is usually reserved for Broadway musicals. Leviathan, the prog-rock grinder of the record, is sharp enough to keep the math-rockers among us tapping our fingers. The three lighter tracks, The Way Home, God's Love, and Fly High, are each beautiful in their own way, and in particular The Way Home evokes a genuine happiness that makes you glad Neal found the teachings of Christ, whether you believe Jesus was merely a remarkable man (as I am inclined to believe) or that he was something more. And then, there is the showstopper: So Many Roads is one of the best long-form progressive songs I have ever heard, and I have been listening since Floyd, Zeppelin, and Rush vinyl spun on my childhood turntable. In almost thirty minutes, Neal exults in the passion, fear, hope, conflict, and utter joy of life and belief. It is hard to find the words for it. The song is well worth hearing here in its studio incarnation and on Neal's live album named after it.
If you're into prog AND you're a religious person, well, I can't imagine you don't own this album already. If not, you really do need to buy it now. You'll be glad you did.